Spiritual And Demonic Magic From Ficino To Campanella Magic In History


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  1. Spiritual Demonic Magic Ficino Campanella by D P Walker AbeBooks

Ultimately he demonstrates that magic was interconnected with religion, music, and medicine, all of which were central to the Renaissance notion of spiritus.

Remarkable for its clarity of writing, this book is still considered essential reading for students seeking to understand the assumptions, beliefs, and convictions that informed the thinking of the Renaissance. This edition features a new introduction by Brian Copenhaver, one of our leading experts on the place of magic in intellectual history.

Spiritual Demonic Magic Ficino Campanella by D P Walker AbeBooks

Walker — was trained at Oxford and spent most of his career at the Warburg Institute of the University of London.

Early Modern. Medieval and Early Modern Studies. Early Modern History.

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  • Spiritual And Demonic Magic From Ficino To Campanella Magic In History -

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  • Introduction General theory of natural magic.

Magic in History. Whereas most scholars had tended to view magic as a marginal subject, Walker showed that magic was one of the most typical creations of the late fifteenth and sixteenth centuries.

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Gralinda First published by the Warburg Institute in , this book is considered a landmark in Renaissance studies.
Laizel First published by the Warburg Institute in , this book is considered a landmark in Renaissance studies.
gamblingattack Log in Sign up. Cart 0 Check Out. Add to Cart. Walker First published by the Warburg Institute in , this book is considered a landmark in Renaissance studies.
murderface Daniel Pickering Walker — was an English historian and author of several noted studies on the occult in Western history. Walker was trained at Oxford. He spent much of his career at the Warburg Institute at the University of London. Walker published works on musical humanism until the s.
iSlate First published by the Warburg Institute in , this book is considered a landmark in Renaissance studies. Whereas most scholars had tended to view magic as a marginal subject, Walker showed that magic was one of the most typical creations of the late fifteenth and sixteenth centuries.