The Senses Of Modernism Identities And Foreign Policies Moscow 1955 And 1999


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Updated: 15.12.2019
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ISBN: 1283177776
Pages: 215
Language: Additional languages are present
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In The Senses of Modernism, Sara Danius develops a radically new theoretical and historical understanding of high modernism. In her discussion of the years from toDanius proposes that the high-modernist aesthetic is inseparable from a technologically mediated crisis of the senses.

  • I developed a course on. Journal of Cold War Studies.
  • The Senses Of Modernism Identities And Foreign Policies Moscow 1955 And 1999. They asked if I would give a talk on U. They must have figured that, as a Sovietologist, I knew something about that part of the former Soviet Union.

She reveals the ways in which categories of perceiving and knowing are realigned when technological devices are capable of reproducing sense data. Sparked by innovations such as chronophotography, phonography, radiography, cinematography, and technologies of speed, this sudden shift in perceptual abilities had an effect on all arts of the time.

Danius questions the longstanding acceptance of a binary relationship between high and low culture and describes the complicated relationship between modernism and technology, challenging the conceptual divide between a technological culture and a more properly aesthetic one. The author closely analyzes Thomas Mann's The Magic Mountain, Marcel Proust's Remembrance of Things Past, and James Joyce's Ulysses as narratives of the sweeping changes that affected high and low culture in the age of technological reproduction. Danius explores how perception, notably sight and hearing, is staged in the three most significant modern novels in German, French, and British literature. She reveals the ways in which categories of perceiving and knowing are realigned when technological devices are capable of reproducing sense data. In The Senses of Modernism, Sara Danius develops a radically new theoretical and historical understanding of high modernism. Sparked by innovations such as chronophotography, phonography, radiography, cinematography, and technologies of speed, this sudden shift in perceptual abilities had an effect on all arts of the time. The Senses of Modernism connects technological change and formal innovation to transform the study of modernist aesthetics. In her discussion of the years from to , Danius proposes that the high-modernist aesthetic is inseparable from a technologically mediated crisis of the senses.

Danius explores how perception, notably sight and hearing, is staged in the three most significant modern novels in German, French, and British literature. The Senses of Modernism connects technological change and formal innovation to transform the study of modernist aesthetics.

The author closely analyzes Thomas Mann's The Magic Mountain, Marcel Proust's Remembrance of Things Past, and James Joyce's Ulysses as narratives of the sweeping changes that affected high and low culture in the age of technological reproduction. Danius questions the longstanding acceptance of a binary relationship between high and low culture and describes the complicated relationship between modernism and technology, challenging the conceptual divide between a technological culture and a more properly aesthetic one.

Danius bases her observations and conclusions on a solid survey of past critical thought; 37 pages of detailed notes and a page index make the study especially useful for advanced scholars.

Future of Foreign Policy Analysis Oxford Research Encyclopedia of International Studies

Summing Up: Recommended. Danius's ability to utilize a wide body of theory and to draw adeptly on examples from film, painting, and photography to support her close readings of three pioneering modernist novels makes this a provocative, rewarding study from a variety of vantage points.

I found the book intriguing and fascinating. It is certainly an important contribution to our understanding of the intersection of perception and technology, and provides important insights about the role that technology can play in the arts. Shortess, Lehigh University, Leonardo "The central aim of this accomplished and lucid study is to dispel the notion that perception in modernist texts can be seen as a flight from the world of modernity and technology into subjectivity and particularity Danius's assertion that the senses become technologically mediated in modernity is supported by discussions of visual theory as it is implicit in various optical devices, in Sander's photo-archive, Marey's work, and the conceptualization of cinema in Vertov and others.

It may be well to note that she is interested in technologies such as X-rays not as artifacts but insofar as they affect the perceptual apparatus of the modern subject. New inventions-the x-ray, the movie camera, the telephone-spurred Proust, Joyce, and Mann to produce texts that show how the senses lead to knowledge.

Identity in International Relations Oxford Research Encyclopedia of International Studies

The Senses of Modernism is extremely timely, well written, and elegantly formulated. Danius finds that they infiltrated and restructured the perceptual senses of the human subject.

They also had a profound effect on modern modes of narrative perception. Situating itself critically between the theoretical influences of Walter Benjamin and Friedrich Kittler, this lucidly argued comparative study of Marcel Proust, Thomas Mann, and James Joyce shows how new technologies-from the x-ray to the gramophone-transformed the representation of sensory impressions even as they became 'naturalized' within modernist aesthetics.

At The Nile, if you're looking for it, we've got it. With fast shipping, low prices, friendly service and well over a million items - you're bound to find what you want, at a price you'll love! Publisher Description In The Senses of Modernism, Sara Danius develops a radically new theoretical and historical understanding of high modernism. Details ISBN Author Sara Danius.

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Pages Publisher Cornell University Press. Language English. ISBN Media Book. Format Paperback. DEWEY Illustrations Yes. Year Publication Date Imprint Cornell University Press. Subtitle Technology, Perception, and Aesthetics. Place of Publication Ithaca. Country of Publication United States. We've got this At The Nile, if you're looking for it, we've got it.


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